“Crafted for the unseen hours.”

Hands wear silver rings. Top ring has three visible stones. Bottom left ring is carved like a rope. Bottom right ring has a large white/clear stone.

A molten love letter to Melbourne after hours.

When the office lights dim and the neon burns bright, the Night Shift begins.

Every piece carries the pulse of the late night city — a reflection of laneways, lit signs, and shadows that stretch a little too long.

Made in metal, made for the ones who don’t wait for daylight.

Enter the Night Shift

For those who shine in the dark.

OVERPOUR
from $195.00

Some things spill past the edge on purpose. OVERPOUR is a heavy silver ring that refuses restraint—liquid metal rising, flooding, overflowing. Like a glass filled past good judgement. Like desire without apology.

Hand-carved and finished in solid sterling silver, each ring forms its own molten crown—no two flows identical. Weighty on the hand, unapologetically present. For the ones who like a little excess, a slow burn, and second pours—always.

Limited pieces ready to ship. Made to order also available in your size.

NIGHT BOSS Ring
$450.00

Built with presence and unapologetic mass, The Night Boss commands the room without raising its voice. Heavy in sterling silver and set with a white sapphire, this squared signet ring carries the energy of someone who doesn’t wait for permission.

Edges polish into power. Weight becomes certainty. This is a ring that lives on the dominant hand. When you wear it, conversations shift. People look twice. They remember.

Not for the gentle. Not for the undecided. For those who take control after dark.

Limited pieces ready to ship. Made to order, also available in your size.

120 SKULL
$220.00

Some designs are drawn. Others are found. The 120 Skull was neither — it appeared. Cast from instinct and carved by hand, its form emerged slowly, like something already buried in the silver waiting to surface. No perfect anatomy. No symmetry. Just raw presence and intention.

Its shape is a ghost of the city — specifically the shadow cast by the rooftop lines of 120 Little Collins, a building whose upper façade fractures the skyline like a blade. Under certain streetlight angles, the silhouette looks like a warped skull. That shadow is trapped here in metal. A relic of Melbourne after hours.

Solid sterling silver with a weight that anchors the hand. Rough around the edges by choice. Imperfect by design. This is not a ring for reflection — it absorbs it. A quiet omen for those who walk between streetlight and shadow.